Sound recording – Replicare C http://replicarec.com/ Fri, 11 Jun 2021 20:54:27 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.2 https://replicarec.com/wp-content/uploads/2021/05/cropped-icon-32x32.png Sound recording – Replicare C http://replicarec.com/ 32 32 COVID: Four new cases reported in Gray-Bruce on Friday https://replicarec.com/covid-four-new-cases-reported-in-gray-bruce-on-friday/ https://replicarec.com/covid-four-new-cases-reported-in-gray-bruce-on-friday/#respond Fri, 11 Jun 2021 20:25:58 +0000 https://replicarec.com/covid-four-new-cases-reported-in-gray-bruce-on-friday/

Content of the article

The Gray Bruce Health Unit reported four new COVID-19 infections on Friday.

The four most recent cases have been reported in Georgian Bluffs, Hanover, Owen Sound and South Bruce.

The health unit is now tracking 30 confirmed active cases in the two counties, including three identified as a worrying variant. There are also 56 high risk close contacts associated with known active cases.

None of the active COVID-19 cases are hospitalized, but two confirmed Gray-Bruce cases are hospitalized outside the region, according to the health unit report. The two people hospitalized outside of Gray-Bruce are not linked to the Hanover rooming house outbreak, the health unit said. Four patients transferred from other health facilities are hospitalized in Gray-Bruce.

To date, 1,379 COVID-19 infections have been confirmed in the two counties, including 97 among health workers. Of these, 1,342 are considered resolved.

Content of the article

No outbreaks have been reported in Gray-Bruce hospitals, long-term care homes and retirement homes, schools or daycares. An epidemic continues in the Forum rooming house in Hanover. There are now 16 confirmed cases involved in this outbreak.

The Gray Bruce Health Unit report shows 117,166 doses of COVID-19 vaccines have now been administered in the region, including 11,404 in the past seven days.

Gray County staff, along with Gray Bruce Health Unit Director Andrew Barton and Director of Operations and Program Director Andra Ashton will hold a virtual town hall for local businesses on June 15 at 7 p.m.

The town hall will allow business owners to ask GBHU how public health measures will now affect their operations as the province enters the first step of its roadmap to reopen.

Local business owners can register online by visiting Gray County website.

Public health units across Ontario reported 574 new COVID-19 infections and four additional virus-related deaths on Friday.

The seven-day moving average was 568.

The test positivity rate remained at 2% for the 28,949 tests performed by Ontario laboratories during the last reporting period.

Ontario reported that 489 COVID-19 patients were hospitalized on Friday, including 366 patients in intensive care units and 292 patients on a ventilator.

At 8 p.m. Thursday evening, more than 10.8 million total doses of the COVID-19 vaccine have been administered.

A new daily provincial record of 199,951 doses administered was reached on Thursday.


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Secret tapes show dispute between Southern Baptists over sexual abuse https://replicarec.com/secret-tapes-show-dispute-between-southern-baptists-over-sexual-abuse/ https://replicarec.com/secret-tapes-show-dispute-between-southern-baptists-over-sexual-abuse/#respond Thu, 10 Jun 2021 23:59:45 +0000 https://replicarec.com/secret-tapes-show-dispute-between-southern-baptists-over-sexual-abuse/

NASHVILLE, Tennessee. – The publication of leaked letters and secret recordings within the Southern Baptist Convention intensified on Thursday as critics sought to show senior leaders were slow to tackle sexual abuse in the country’s largest Protestant denomination and s ‘worried more about his reputation and donations than the victims.

A former executive with the denomination’s ethics agency released audio clips he covertly recorded at internal meetings to bolster claims that SBC executive committee leaders were seeking to slow or block policies responding to abuses by ministers and other church leaders, and seeking a more robust response.

Committee members defended their actions, saying the records reflect the normal compromise of trying to develop the best policies.

The timing comes less than a week before the SBC’s annual meeting, which is expected to attract its largest turnout in more than 25 years, amid tensions over abuse, race and other issues and growing calls for an investigation independent on the response of the executive committee.

A d

Phillip Bethancourt, a pastor from Texas and former executive vice-chairman of the denomination’s Ethics and Religious Freedom commission, posted the audio online in an open letter to Ronnie Floyd, chairman of the executive committee, and Mike Stone , then president of the committee and now candidate for the presidency of the congress.

“Southern Baptists deserve to hear you in your own words,” Bethancourt wrote.

A series of clips are from a meeting following a Caring Well conference on sexual abuse sponsored in 2019 by the Ethics Commission.

In the recording, Floyd questions Russell Moore – who was chairman of the commission until his resignation last month – about one of the speakers, Rachael Denhollander, a lawyer and leading advocate for other abuse survivors.

Denhollander had publicly criticized the executive committee for handling an abuse case. The faith-based news agency, overseen by the Executive Committee, had reported on the case in a way that involved the consent of the victim, who was then publicly defamed on social media. The agency then apologized.

A d

Floyd asks Moore on the recording, “What should I say … to the executive committee when Rachael sues them?”

Moore responds, “We haven’t written to anyone based on what they can say” and says the best answer is “don’t do stupid things again”.

In another recording, Floyd tells Moore that he “wanted to preserve the base,” which Bethancourt interprets as prioritizing maintaining church funding.

Bethancourt also released audio from a previous meeting showing its resistance to the proposed establishment of an accreditation committee to investigate the churches’ handling of cases of abuse.

In a statement Thursday, Floyd said he put his staff to work immediately after that meeting to lay the groundwork for the credentials committee before it was approved by the entire convention.

“The convention was – and still is – divided over methods of responding to sexual abuse,” he said. “However, the SBC is not divided on the priority of caring for survivors of abuse and protecting vulnerable people in our churches.”

A d

He said his questions about the Caring Well conference were aimed at eliciting answers he could provide to churches. “However, I apologize for any offense that may have resulted from my comments,” he said.

Jennifer Lyell, whose case was cited in Denhollander’s criticisms of the executive committee, took issue with Floyd’s characterization, tweeting that he “was not a poor middleman” trying to get answers to other people’s questions but rather “one of them” within the executive committee.

“They weren’t attacked,” Lyell said. “They were exposed.”

Stone told The Associated Press that as a survivor of sexual abuse himself, it is “scandalous” to say that he would block efforts to respond to such misconduct.

He said his debates with Moore were over and he “felt we didn’t have enough time to properly organize this credentials committee” in 2019.

Stone added that the SBC cannot dictate policies to its autonomous churches like a hierarchical denomination can, and said a “power” approach could cause churches to leave the convention without improving child safety. He said he preferred to equip and train churches to respond to abuse.

A d

The release of the tapes follows a string of leaks that have fueled debate in recent weeks among Southern Baptists, including lengthy letters Moore wrote in 2020 and last month to fellow denominations.

In them, he said he received “undiluted rage” from the leaders of the Executive Committee as they debated how to respond to the abuses, which Moore called a “crisis in the Southern Baptist Convention” .

A 2019 investigation by the Houston Chronicle and the San Antonio Express-News found that about 380 Southern Baptist church leaders and volunteers faced allegations of sexual misconduct, involving several hundred victims. These and subsequent reports have noted cases of offenders returning to the ministry and even victims being blamed.

These revelations galvanized efforts to do more. At its 2019 annual meeting, the SBC said congregations could be kicked out for mismanaging abuse cases and created the Credentials Committee to review those cases.

A d

Floyd said the executive committee is now in discussions with a “highly credible outside company” to investigate its handling of the controversy.

But two Southern Baptist pastors are preparing a competing proposal for next week’s annual meeting that the next SBC president would create a task force to choose the investigator.

Denhollander said the new public recordings corroborate her own experiences defending victims of abuse within the SBC, and that she has offered to help on several occasions, but her offers were rejected.

“I hope that over the past two weeks the Southern Baptist messengers (voting representatives) have started asking some very important questions,” she said. … because they had done it in the past.

Denhollander said there will be two resolutions on abuse at the next meeting and that they are carefully worded to reflect Southern Baptist theology and politics. And she took issue with Stone’s claim that the structure of the SBC makes it difficult to take some action against sexual abuse.

A d

“It’s actually very easy to do in a way that is legally sound and respects the autonomy of Southern Baptists,” Denhollander said.

___

Smith reported from Pittsburgh

___

The Associated Press religious coverage receives support from the Lilly Endowment via The Conversation US. The AP is solely responsible for this content.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


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Hildegarde: Hildegarde Album Review | Fork https://replicarec.com/hildegarde-hildegarde-album-review-fork/ https://replicarec.com/hildegarde-hildegarde-album-review-fork/#respond Thu, 10 Jun 2021 04:00:00 +0000 https://replicarec.com/hildegarde-hildegarde-album-review-fork/

In the music of Montreal upstarts Ouri and Helena Deland, the mere idea of ​​transformation can create a thrill of excitement. On the title song of his radiant album Someone new, Deland wondered if kissing someone new or even imagine kissing someone new – might be enough to trigger a transformation in yourself. Ouri, meanwhile, has spent the last few years using ambient pop and rich, warm-blooded techno to question how experiences of emigration and falling in love reshape identity over time. Earlier this year, discussing her mobilegirl collaboration “Too Fast No Pain”, she described the exhilarating feeling of “los[ing] your identity for the better ”: Remembering her move to Montreal, she said,“ I could be anything. I destroyed my sense of myself for a while.

There is limitless potential in this kind of “what if?” Thought, and this manifests in both the music of Deland, which cuts through the static buzz of electronics and drones as well as indie folk, and that of Ouri, which draws so much inspiration from his experience as a cellist and harpist as conventions of dance music viscerally embodied. . Hildegard, the duo’s first collaborative album, develops this potential, drawing inspiration from a number of “What if”: what if we did it on the phone without ever having to touch each other? What if life alone could be as fulfilling and romantic as living with someone else? And, in the bones of the project itself: What if Hildegard Weren’t they halfway between the art of Deland and that of Ouri, but an entirely separate entity, channeling impulses different from those of their respective solo work and producing an entirely different result?

It is this last question that creates Hildegardthe most indelible moments. Like a slightly less austere twin of Jenny Hval and Håvard Volden Menneskekollektivet, released earlier this year, Hildegard feels like an opportunity for Deland and Ouri to consider the freedom that a musical union offers. Although Deland sings most often, Ouri’s voice is almost always present, and after a while their voices merge into each other; by the arrival of “Day 8”, the last track of the album, hard and precisely angry, Hildegard is her own person, calm and all-powerful as, over a hazy, electronic buzz, she delivers farewell words to a lover: “I don’t care who you dream of.” Hildegardthe eight tracks of s were recorded over eight days, and their sequencing involves a timeline, from “Day 1” to “Day 8”; you can follow Deland and Ouri’s growing connection throughout the album, with “Day 8” representing something close to pure creative symbiosis.

On “Day 3” the album’s highlight, shy and singing, Deland and Ouri play id and ego, struggling to figure out how to interact with an object of desire. As Ouri vocalizes an unbridled impulse (“I just wanted to ask you, how was your day!”, She shouts, as if to give voice to an exasperated text, before muttering “I’m waiting for you” , like another SMS sent a few hours and a few drinks later) Deland offers sweet and poetic words: “I will speak to you / In the most sensitive words / And it will sound like a purr / Show what I’m made of / Be better than making love. ” Someone new took place in tense and fractured rooms, populated by antagonistic and narcissistic men. Here Deland has the opportunity to be amorous and mischievous, the fantastical elements of this courtship allowing her to adopt another appearance for a night out.

Ouri, too, seems liberated by the opportunity to inhabit a new creative outlet: on “Day 4”, on which she sings lead, the fundamentals of her solo music – strings, her vaporous voice, unsettling sound design – appear. in surprising formations. . Where his classical training is often deployed to assist ambient experiments, the strings here play a more traditional role, bringing pathos and cinematographic splendor; in turn, his voice is immediate and prominent. Hildegard is the first project that Ouri has mixed and mastered in its entirety, and this top-down involvement shines through in the music, which is filled with unique moving parts – harp, rhythms that sound like barefoot crunching on dry sand, the squeak of a low, office chair that destroys the speakers, kicked like a block of wood, but never feels busy or fuzzy.

Although elements of Deland and Ouri’s solo practices unmistakably stand out on Hildegardas a whole it looks like a remarkably realized whole, as opposed to a certain Frankenstein of styles and ideologies. By the time “Day 8” has run its course, you wonder what the collaboration might look like if they had pushed it back to 10 or 14 days. However, as it is, Hildegard is a satisfying and invigorating document, the mark not only of instinctive collaboration, but of complete transformation.


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Sveriges Radio wins the T&I 2021 award https://replicarec.com/sveriges-radio-wins-the-ti-2021-award/ https://replicarec.com/sveriges-radio-wins-the-ti-2021-award/#respond Wed, 09 Jun 2021 15:24:46 +0000 https://replicarec.com/sveriges-radio-wins-the-ti-2021-award/

The winner of the 2021 EBU Technology and Innovation Prize is Sveriges Radio (SR), for a project that places public service values ​​at the heart of the production and dissemination of information. The winner of the first EBU Young Engineers and Researchers Prize is Irene Nikkarinen, data scientist at Yle in Finland. The announcements were made today at the 27th EBU Technical Assembly, hosted live online from Geneva.

The Swedish broadcaster won the EBU Technology and Innovation Award for its implementation of a new approach to power the algorithm used to generate its news playlists. The News Values ​​project allows RS listeners to hear the most important news of the day while finding things that surprise them and broaden their knowledge and perspectives.

“This is a perfect example of technical ingenuity combined with public service values, helping Sveriges Radio to better fulfill its mission,” said Judy Parnall, Chair of the EBU Technical Committee. “It puts technology at the service of both SR’s editorial experts and the general public, keeping humans at the center of the process. “

“Our jury had the difficult task of selecting a project from among the 24 nominees this year,” said Antonio Arcidiacono, director of the EBU’s Technology and Innovation department. “Our Technology & Innovation Award continues to grow as a showcase for the creativity and technical talent of public service media in Europe. “

Locally managed

Launched in 2019, the News Values ​​project has been gradually rolled out in SR’s editorial teams, starting with the 26 local news offices in Sweden. Editors rate each news article on three dimensions: breadth, lifespan and, most importantly, the degree to which it embodies the “values ​​of SAR.” This way each item gets a score which is used by the algorithm to automatically generate news playlists for each local SR station. The system is also used internally by the national press team to find the most interesting stories from across the country.

News reporting is done by digital editors on local news desks at 26 local stations. This is based on the firm belief that the editors closest to the production and the local audience are the best at assessing the values ​​of information. This spring, the system was extended to the national information service, followed by editorial staff specializing in the fields of sport, culture and science.

Finalists

SR’s News Values ​​project was selected from four shortlisted for this year’s EBU Technology and Innovation Award. The other finalists were:

  • BBC Sounds: An Integrated Audio Platform – Sounds is the new home of radio, music and podcasting at the BBC, giving listeners a personal and relevant experience and giving them more control and flexibility.
  • BBC News Virtual Production Tools – three transformation tools: Toucan for quick remote TV interviews; Pre Rec for quality audio over prerecorded remote chats; Virtual audience to connect the public with the studios.
  • An avatar for sign language applications (Rai – Radiotelevisione Italiana) – a platform based on a virtual actor (avatar), enabling applications for LIS (Italian Sign Language) such as teaching and automatic generation of weather reports.

The EBU Technology and Innovation Prize has been awarded annually since 2016. Candidate projects are submitted by EBU members, with a total of 24 projects nominated this year, the highest total to date. The jury, made up of members of the EBU Technical Committee, independently assessed the projects according to fixed criteria. They could not vote for nominations from their own organization.

Recognize young talents

The winner of the first EBU Young Engineers and Researchers Prize was also announced at today’s Technical Assembly. The award is designed to showcase and encourage young talents – graduates and young professionals, individuals and teams – working in EBU members.

The first recipient of this award is Irene Nikkarinen, data scientist at Yle in Finland. With the company for less than a year, his work on adapting and training an open source metadata tool improves the findability of Yle content on its online platforms and applications. After graduating from the University of Helsinki and the University of Cambridge, she worked for a short period in a trading company. The possibility of serving all Finns with the results of his work was an important criterion in his decision to join the public service media company.

“Young engineers have always aspired to work in public broadcasters, which has contributed to our strong track record in technological innovation,” said Judy Parnall, Chair of the EBU Technical Committee. “We need to make sure we continue to provide innovative work opportunities that can make a difference for society. “

“We created this award to highlight the young technological talents that can be found in all EBU members,” said Antonio Arcidiacono, Director of the EBU Technology and Innovation Department. “Irene Nikkarinen is a prime example of the kind of profile that will ensure that public service media remain at the forefront of innovation in media technology. “


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Bridgerton’s Adjoa Andoh To Tell Charlotte Sophia Audiobook – Deadline https://replicarec.com/bridgertons-adjoa-andoh-to-tell-charlotte-sophia-audiobook-deadline/ https://replicarec.com/bridgertons-adjoa-andoh-to-tell-charlotte-sophia-audiobook-deadline/#respond Tue, 08 Jun 2021 21:51:00 +0000 https://replicarec.com/bridgertons-adjoa-andoh-to-tell-charlotte-sophia-audiobook-deadline/

BridgertonAdjoa Ando will move from the pages of Julia Quinn’s romantic series to those of Tina Andrew Charlotte Sophie.

Ando will lend his voice to Andrew’s Charlotte Sophia: Myth, Mandess and the Moor audiobook by RBmedia. Produced by Recorded Books, the audiobook is slated for release on June 22, 2021.

The 2013 novel centers on Queen Charlotte, who would be England’s first biracial royal. Charlotte sophie spans 50 years in the life of a formidable queen whose story clashes with lust, betrayal, politics, rape, murder and madness.

HBO Max opted for the rights to Andrews’ landmark novel for film and television development. If a project is put into development, Andrews will serve as creator / showrunner and executive producer.

Charlotte sophie adds to Andoh’s long list of audiobook credits. She has already told The girl with the loud voice by Abi Daré, by Chimamanda Ngozi Adichie Americanah, by Talia Hibbert Buy yourself a life, Chloe Brown; Ann Lecki’s Accessory justice and more.

The audiobook is available for pre-order at Audible and Audiobooks.com. Upon release, it will be available for digital download on Audible, iTunes, Google Play, Audiobooks.com, and wherever digital audiobooks are sold.


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Business News | Stock market and stock market news https://replicarec.com/business-news-stock-market-and-stock-market-news/ https://replicarec.com/business-news-stock-market-and-stock-market-news/#respond Tue, 08 Jun 2021 02:58:01 +0000 https://replicarec.com/business-news-stock-market-and-stock-market-news/



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‘Pocket Rocket’ Shelly-Ann Fraser-Pryce sets new national record, sets fastest event time in 33 years as Olympics approach https://replicarec.com/pocket-rocket-shelly-ann-fraser-pryce-sets-new-national-record-sets-fastest-event-time-in-33-years-as-olympics-approach/ https://replicarec.com/pocket-rocket-shelly-ann-fraser-pryce-sets-new-national-record-sets-fastest-event-time-in-33-years-as-olympics-approach/#respond Mon, 07 Jun 2021 11:41:52 +0000 https://replicarec.com/pocket-rocket-shelly-ann-fraser-pryce-sets-new-national-record-sets-fastest-event-time-in-33-years-as-olympics-approach/

WITH THE Tokyo Olympics on the horizon, Jamaican athlete Shelly-Ann Fraser-Pryce, known as “Pocket Rocket”, remains the woman to beat at the biggest show on Earth.

The story was created inside the National Stadium on June 5, when two-time Olympic champion Shelly-Ann Fraser-Pryce reached 10.63 seconds (+1.3) in the 100m during the Olympic meet at destiny JAAA / JOA, to set a new national record and record the best time of the event in 33 years, reports La Glaneuse.

Only Florence Griffith Joyner’s world record of 10.49 seconds in 1988 is faster than Fraser-Pryce’s time, as the Jamaican sent a clear warning ahead of the senior nationals and the Olympics, lowering her own national record. of 10.70 seconds, which she shared with Elaine Thompson Herah.

It was a vintage performance by Fraser-Pryce, 34, who had come out of the blocks in a hurry, before Natasha Morrison rallied, showing some of that speed under 11 seconds to close the gap halfway through the race. .

However, Fraser-Pryce found another speed to finish well ahead of Morrison, who crossed the finish line in second in 10.95 seconds, with MVP training partner Kasheika Cameron, 11.39, in third.

Fraser-Pryce, who made no secret of her determination to run under 10.70 seconds, was delighted with the result, although she admitted to being a little surprised by the time.

“First I have to say thank you to God, it’s amazing. I didn’t expect to run that fast today because the goal was just to have a good race before the national championships and work on my execution, ”Fraser-Pryce said.

WHAT TO BEAT: Jamaican Shelly-Ann Fraser-Pryce celebrates gold in the 100m final on day three of the IAAF World Championships at Khalifa International Stadium in Doha, Qatar.

Reynaldo ‘Journalist’ Walcott, who last year took over as coach of Fraser-Pryce after leaving the MVP Track Club run by Stephen Francis, was not surprised by the sprinter’s impressive run.

“No, I’m not surprised because his personal best was 10.70 seconds and the goal was to go faster and my job as a coach is to help him run faster. She really wanted to go under 10.7 and she was really excited about her post-race celebration and I’m happy for her because she’s not just an athlete but a Jamaican icon, ”Walcott said.


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RGV Sounds: Experimental Pop Artist Mixes Various Genres to Create Unique Sound https://replicarec.com/rgv-sounds-experimental-pop-artist-mixes-various-genres-to-create-unique-sound/ https://replicarec.com/rgv-sounds-experimental-pop-artist-mixes-various-genres-to-create-unique-sound/#respond Sun, 06 Jun 2021 16:08:04 +0000 https://replicarec.com/rgv-sounds-experimental-pop-artist-mixes-various-genres-to-create-unique-sound/

RIO GRANDE VALLEY, Texas (KVEO) – We all have a favorite type of music.

Whether it’s rock, hip hop, Tejano, punk, techno or something in between, most of us can all call at least one of the few genres that stand out from the rest as our favorites. .

Some musicians also draw inspiration from an abundance of musical artists and together forge a sound reminiscent of all their favorites.

Pillowsnake on show in 2019

Pillowsnake by San Benito is a good example, as their music mixes different styles to create a unique sound.

Pillowsnake was formed by Jacob Lafollette in 2018. Lafollette recorded music as early as 2016, but began the name Pillowsnake two years later.

The name of the project is taken from Dr. Seuss’s character “Jake the Pillow Snake” I can read with my eyes closed!

Lafollette’s early releases plunged into the trip-hop category, which is described as a mix of psychedelic, electronic, and hip-hop music.

After Pillowsnake’s name was defined in 2018, the music remained trip-hop but began to lean into other areas as well, with songs like “Space ‘IS’ The Place” taking on a slightly more traditional rock sound thanks to to guitar riffs.

Lafollette’s main instrument is the guitar, so many of his songs are written using the instrument before the track is blasted with reverb, bass, noise and a host of other effects. .

Pillowsnake has released more trip-hop releases and released their first full album under the name in 2018 with RVD Botox. The record is an electronic journey of catchy rhythms, ambiance and tight production.

The following year was released the second album of Pillowsnake hmminBYRD which carries the same electronic atmosphere as the first disc but with a psychedelic touch.

Pillowsnake continued to release singles throughout 2019 and 2020 with different songs carrying different vibes.

Some songs like “Reality is the Caution” have indie rock overtones while others like “Toxic” are mostly pop based.

The artist’s most recent release, “A Brown Recluse’s Exclusive Return Trip 2 Sanity, Pain, and Promise” describes itself as “alternative rock,” but still features the electronic effects found on other songs by Pillowsnake.

Pillowsnake released singles every few months from 2018 to 2020 with the COVID-19 pandemic slowing things down slightly for the artist due to a lack of motivation without being able to play his music live.

During live concerts, Pillowsnake will usually play it solo, just bringing his guitar and an effects backing track to play as he delivers an energetic performance on stage. Occasionally, Lafollette will bring in a drummer to enhance the experience.

While Pillowsnake’s songs were originally made up of out of the ordinary beats created only by Lafollette, he has since started experimenting with sampling to use tracks.

Pillowsnake on show in 2019

Sampling is the method of taking recordings from other artists and editing them in various ways to create your own backing track. This formula was essential for the hip hop artists of the 1980s and continues today in many musical genres.

Lafollette will extract sounds from obscure vinyl records he finds to create a basis for a track and mix other sounds from other records to generate his music. Add in some electronic effects and a mishmash of Lafollette lyrics, and you’ve got a sound that’s uniquely Pillowsnake.

This process is described as alchemy by Lafollette as he carefully puts the sounds together to create music.

While this method generally lays the foundation for Pillowsnake, it slightly limits the artist’s exposure. Lafollette downloads his music almost exclusively to SoundCloud and Bandcamp, as the biggest streaming platforms, like Spotify and Apple Music, are likely to flag his songs for copyright strikes.

Either way, Pillowsnake has attracted a decent following to the music scene.

Many of his singles have won thousands of listeners on Sound Cloud alone, listeners rave about the songs and their production.

Lafollette says he is satisfied with the feedback he has received on his music. He recognizes that music is not for everyone but he is happy with the response it has elicited.

He encourages anyone with an artistic vision to pursue their passions and create content, no matter how eclectic it can be.

His future goals are to tour across Texas and beyond and have his music heard by as many people as possible.

The pillow snake can be found on Sound cloud, Band Camp, and Youtube, with older versions streaming on Apple Music and Spotify.

You can follow him on Facebook and Instagram.

To submit a band to feature on RGV Sounds, email KVEO-DigitalDesk@nexstar.tv.




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Strippers ‘Really, Really Love’ Their Jobs https://replicarec.com/strippers-really-really-love-their-jobs/ https://replicarec.com/strippers-really-really-love-their-jobs/#respond Sat, 05 Jun 2021 22:49:00 +0000 https://replicarec.com/strippers-really-really-love-their-jobs/

Hunter Biden put his personal knowledge of strip clubs to use in 2018 – praising the career choice of an exotic dancer in a taped conversation that turned into a two-way therapy session.

“90% of the strippers I know do it because they really, really love him,” reassures the woman’s future first son during the 15-minute exchange.

“I don’t know that many people who enjoy their jobs,” he says.

The conversation, first reported by the Washington Examiner, was recorded on May 11, 2018 and stored on the laptop that Biden later ditched in a Delaware computer repair shop, The Post confirmed.

At the time, Biden was keeping former stripper Lunden Roberts – then five months pregnant with her child – on the payroll of his consulting firm, Rosemont Seneca. The woman on the tape is not identified.

“I talk to strippers – I don’t do anything else,” Biden said at one point in the conversation, as his mate laughed. “I have always said that they were some of the most fascinating people I have ever met in my life, the most genuine.”

The conversation seemed to take place over a meal, with silverware jingling in the background.

“Who in the world can tell a woman that she can’t make a choice for a talent she has?” Biden asks rhetorically, as the two discuss his career.

The audio surprised Hunter Biden saying he thought the strippers were "fascinating people."
The audio surprised Hunter Biden saying he thought the strippers were “fascinating people.”
Little mom Lunden Roberts was on Hunter Biden's payroll at Rosemont Seneca.
Lunden Roberts, Hunter’s ex-baby mum stripper, had been an employee of her consulting firm during her pregnancy.
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“But more than talent, it’s something every woman has. This is the ultimate… toolbox. And women use it whether they’re at the cash register or at the club.

The audio file abruptly ends – as Biden turns off a recording device he doesn’t seem to have known had been activated.


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WhatsApp unveils new ‘browsing’ feature for voicemail messages https://replicarec.com/whatsapp-unveils-new-browsing-feature-for-voicemail-messages/ https://replicarec.com/whatsapp-unveils-new-browsing-feature-for-voicemail-messages/#respond Sat, 05 Jun 2021 04:39:00 +0000 https://replicarec.com/whatsapp-unveils-new-browsing-feature-for-voicemail-messages/

NEW DELHI: To allow users to increase the speed of reading voicemail messages, WhatsApp, owned by Facebook, has rolled out a new “speed reading” feature for those who rely on long voicemail messages.
WhatsApp’s speed reading feature allows you to change the reading speed between the default setting 1x, 1.5x speed, or 2x speed, without changing the pitch of someone’s voice.
It’s simple to use – when you press play on a voicemail message, you’ll see the playback speed appear, which is set to 1x by default. Just tap the speed to increase the speed to 1.5x or 2x, the company said in a statement.
Then just press play. In honor of the launch of speed reading, WhatsApp shared a short video on social platforms – Facebook, Instagram, Twitter, he added.
WhatsApp voice messages allow you to talk to your friends and family when it’s convenient for you and allows them to listen when it’s convenient for them, while giving everyone a more personal connection than what you get from a message. text.
Users can simply open an individual or group chat, touch the microphone icon, and swipe up to lock hands-free recording. However, it can be difficult to find the time to listen to a long voicemail message.
Therefore, WhatsApp introduces speed reading, which speeds up the message, reducing the time it takes to listen to your longest voicemail messages, the company said.
The new feature is now available for users on WhatsApp.

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