Replicare C http://replicarec.com/ Fri, 11 Jun 2021 20:54:27 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.2 https://replicarec.com/wp-content/uploads/2021/05/cropped-icon-32x32.png Replicare C http://replicarec.com/ 32 32 COVID: Four new cases reported in Gray-Bruce on Friday https://replicarec.com/covid-four-new-cases-reported-in-gray-bruce-on-friday/ https://replicarec.com/covid-four-new-cases-reported-in-gray-bruce-on-friday/#respond Fri, 11 Jun 2021 20:25:58 +0000 https://replicarec.com/covid-four-new-cases-reported-in-gray-bruce-on-friday/

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The Gray Bruce Health Unit reported four new COVID-19 infections on Friday.

The four most recent cases have been reported in Georgian Bluffs, Hanover, Owen Sound and South Bruce.

The health unit is now tracking 30 confirmed active cases in the two counties, including three identified as a worrying variant. There are also 56 high risk close contacts associated with known active cases.

None of the active COVID-19 cases are hospitalized, but two confirmed Gray-Bruce cases are hospitalized outside the region, according to the health unit report. The two people hospitalized outside of Gray-Bruce are not linked to the Hanover rooming house outbreak, the health unit said. Four patients transferred from other health facilities are hospitalized in Gray-Bruce.

To date, 1,379 COVID-19 infections have been confirmed in the two counties, including 97 among health workers. Of these, 1,342 are considered resolved.

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No outbreaks have been reported in Gray-Bruce hospitals, long-term care homes and retirement homes, schools or daycares. An epidemic continues in the Forum rooming house in Hanover. There are now 16 confirmed cases involved in this outbreak.

The Gray Bruce Health Unit report shows 117,166 doses of COVID-19 vaccines have now been administered in the region, including 11,404 in the past seven days.

Gray County staff, along with Gray Bruce Health Unit Director Andrew Barton and Director of Operations and Program Director Andra Ashton will hold a virtual town hall for local businesses on June 15 at 7 p.m.

The town hall will allow business owners to ask GBHU how public health measures will now affect their operations as the province enters the first step of its roadmap to reopen.

Local business owners can register online by visiting Gray County website.

Public health units across Ontario reported 574 new COVID-19 infections and four additional virus-related deaths on Friday.

The seven-day moving average was 568.

The test positivity rate remained at 2% for the 28,949 tests performed by Ontario laboratories during the last reporting period.

Ontario reported that 489 COVID-19 patients were hospitalized on Friday, including 366 patients in intensive care units and 292 patients on a ventilator.

At 8 p.m. Thursday evening, more than 10.8 million total doses of the COVID-19 vaccine have been administered.

A new daily provincial record of 199,951 doses administered was reached on Thursday.


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Health officials urge public to restrict mixing as Delta Variant COVID-19 cases continue to rise https://replicarec.com/health-officials-urge-public-to-restrict-mixing-as-delta-variant-covid-19-cases-continue-to-rise/ https://replicarec.com/health-officials-urge-public-to-restrict-mixing-as-delta-variant-covid-19-cases-continue-to-rise/#respond Fri, 11 Jun 2021 13:55:22 +0000 https://replicarec.com/health-officials-urge-public-to-restrict-mixing-as-delta-variant-covid-19-cases-continue-to-rise/

PUBLIC health officials in Warrington are urging people to restrict the mixture where possible to reduce the risk of transmission, as cases of COVID-19 continue to rise in the city, with an estimated 92% of the Delta variant.

In Warrington, stubborn pockets of COVID have emerged in some local areas and cases are increasing across the borough. In the past seven days through June 4, there have been 116 new confirmed cases, which is increasing daily.


While some restrictions have eased in recent weeks and we now have more freedom to see our friends and family, it is important that people make careful choices and decisions to limit the spread of the virus.
Socializing outdoors is a good way to protect yourself and those around you, as the fresh air can drive out COVID particles.
Other practical steps people can take include reducing travel, limiting mixing with other households, and keeping a note of who you have had “close contacts” in case contact tracers have you. contact.
Remembering the basics of “hands, face, space and fresh air” is also more important than ever when meeting people outside your home, especially as people start to leave their homes more and more. home to work and socialize.
Cllr Maureen McLaughlin, Cabinet Member for Public Health and Welfare, said: “The increase in the number of cases in the community is becoming of increasing concern – the coronavirus is still here and, even if you may only experience mild symptoms if you get it, other people can still get seriously ill.
“As always, you should have regular symptom-free testing to make sure you don’t have the virus while still having no symptoms, and if you start to develop symptoms, go home and isolate yourself immediately and book a NHS (PCR) test as soon as possible.
“If the National Testing and Traceability Service has told you to self-isolate, or through council contact tracers, it is essential that you stay indoors throughout the isolation period as you can still be contagious.
“If you need help when isolating yourself, Warrington Voluntary Action’s Good Neighbors program is available to help – email hello@warringtonva.org.uk or call 01925 246 881 for advice . “
So far in Warrington, 54% of eligible people have received both doses of the vaccine and 75% have received their first dose of the vaccine, helping to reduce hospitalizations and protect those most vulnerable.
Across the country, there are patterns of hospital admissions to areas with much higher infection rates than in Warrington, but our case rates are increasing. Fully vaccinated people are less likely to contract or spread coronavirus, but it’s important to continue to follow the rules.
Thara Raj, director of public health for Warrington, said: “There is no denying the effectiveness of the vaccine deployment in Warrington, but the Delta COVID-19 variant is spreading rapidly and is the dominant strain in Warrington with around 92% of our cases being the Delta variant.
“Please play your part in reducing the number of our cases – making small changes such as meeting people outside rather than inside, especially now that we have better weather, will help to make a difference. huge difference for the transmission in the district.
“If you are meeting friends and family to watch the England vs Croatia game this Sunday, remember to follow the social distancing rules and look forward to a great game.
“The coronavirus is far from over, so we all need to do what we can to help stop this spike in cases.”
For more information on the coronavirus in Warrington, visit warrington.gov.uk/coronavirus

New COVID-19 cases in Warrington more than doubled in one week


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City council approves district zoning https://replicarec.com/city-council-approves-district-zoning/ https://replicarec.com/city-council-approves-district-zoning/#respond Fri, 11 Jun 2021 00:35:48 +0000 https://replicarec.com/city-council-approves-district-zoning/

Round Rock City Council voted unanimously on Thursday, June 10 to approve Planned Unit Development (PUD) zoning for the district, a 65.5-acre mixed-use project slated for SH 45 just to l ‘is IH 35, following a public hearing.

The project is expected to include multi-family housing, hotels, offices, retail stores and restaurants, and a grocery store. The open space master plan includes “habitable” streets designed to educate drivers about pedestrian activity, improved detention areas, green spaces, plazas and courtyards.

The construction of the development will be divided into several phases. The design for the first phase, which is currently under review, includes a four-story office building with a parking garage and a retail building with a cafe.

The city council approved a development agreement with Capital Mark IV for the project in February 2019.

In return for the company building one million square feet of Class A office, retail and residential space, the City will contribute $ 12.56 million to public infrastructure such as streets, sidewalks and public services. At the time of signing the agreement, the City predicted that the development will generate more than $ 1.5 million per year in tax revenue for the City once completed.

Development is also expected to create 5,000 jobs when fully developed.

According to the agreement, Mark IV will have to achieve the following performance milestones: 120,000 square feet completed by 2022; 250,000 square feet by 2029; and 1 million square feet by 2039. Mark IV would be required to reimburse the City if it does not meet these performance measures.

The City will fund the infrastructure improvements with its half-cent type B sales tax revenues. Type B funds are limited specifically to economic development projects, including transportation improvements.

Mark IV manages the Summit I and the recently completed construction on Summit II office projects in La Frontera.



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Secret tapes show dispute between Southern Baptists over sexual abuse https://replicarec.com/secret-tapes-show-dispute-between-southern-baptists-over-sexual-abuse/ https://replicarec.com/secret-tapes-show-dispute-between-southern-baptists-over-sexual-abuse/#respond Thu, 10 Jun 2021 23:59:45 +0000 https://replicarec.com/secret-tapes-show-dispute-between-southern-baptists-over-sexual-abuse/

NASHVILLE, Tennessee. – The publication of leaked letters and secret recordings within the Southern Baptist Convention intensified on Thursday as critics sought to show senior leaders were slow to tackle sexual abuse in the country’s largest Protestant denomination and s ‘worried more about his reputation and donations than the victims.

A former executive with the denomination’s ethics agency released audio clips he covertly recorded at internal meetings to bolster claims that SBC executive committee leaders were seeking to slow or block policies responding to abuses by ministers and other church leaders, and seeking a more robust response.

Committee members defended their actions, saying the records reflect the normal compromise of trying to develop the best policies.

The timing comes less than a week before the SBC’s annual meeting, which is expected to attract its largest turnout in more than 25 years, amid tensions over abuse, race and other issues and growing calls for an investigation independent on the response of the executive committee.

A d

Phillip Bethancourt, a pastor from Texas and former executive vice-chairman of the denomination’s Ethics and Religious Freedom commission, posted the audio online in an open letter to Ronnie Floyd, chairman of the executive committee, and Mike Stone , then president of the committee and now candidate for the presidency of the congress.

“Southern Baptists deserve to hear you in your own words,” Bethancourt wrote.

A series of clips are from a meeting following a Caring Well conference on sexual abuse sponsored in 2019 by the Ethics Commission.

In the recording, Floyd questions Russell Moore – who was chairman of the commission until his resignation last month – about one of the speakers, Rachael Denhollander, a lawyer and leading advocate for other abuse survivors.

Denhollander had publicly criticized the executive committee for handling an abuse case. The faith-based news agency, overseen by the Executive Committee, had reported on the case in a way that involved the consent of the victim, who was then publicly defamed on social media. The agency then apologized.

A d

Floyd asks Moore on the recording, “What should I say … to the executive committee when Rachael sues them?”

Moore responds, “We haven’t written to anyone based on what they can say” and says the best answer is “don’t do stupid things again”.

In another recording, Floyd tells Moore that he “wanted to preserve the base,” which Bethancourt interprets as prioritizing maintaining church funding.

Bethancourt also released audio from a previous meeting showing its resistance to the proposed establishment of an accreditation committee to investigate the churches’ handling of cases of abuse.

In a statement Thursday, Floyd said he put his staff to work immediately after that meeting to lay the groundwork for the credentials committee before it was approved by the entire convention.

“The convention was – and still is – divided over methods of responding to sexual abuse,” he said. “However, the SBC is not divided on the priority of caring for survivors of abuse and protecting vulnerable people in our churches.”

A d

He said his questions about the Caring Well conference were aimed at eliciting answers he could provide to churches. “However, I apologize for any offense that may have resulted from my comments,” he said.

Jennifer Lyell, whose case was cited in Denhollander’s criticisms of the executive committee, took issue with Floyd’s characterization, tweeting that he “was not a poor middleman” trying to get answers to other people’s questions but rather “one of them” within the executive committee.

“They weren’t attacked,” Lyell said. “They were exposed.”

Stone told The Associated Press that as a survivor of sexual abuse himself, it is “scandalous” to say that he would block efforts to respond to such misconduct.

He said his debates with Moore were over and he “felt we didn’t have enough time to properly organize this credentials committee” in 2019.

Stone added that the SBC cannot dictate policies to its autonomous churches like a hierarchical denomination can, and said a “power” approach could cause churches to leave the convention without improving child safety. He said he preferred to equip and train churches to respond to abuse.

A d

The release of the tapes follows a string of leaks that have fueled debate in recent weeks among Southern Baptists, including lengthy letters Moore wrote in 2020 and last month to fellow denominations.

In them, he said he received “undiluted rage” from the leaders of the Executive Committee as they debated how to respond to the abuses, which Moore called a “crisis in the Southern Baptist Convention” .

A 2019 investigation by the Houston Chronicle and the San Antonio Express-News found that about 380 Southern Baptist church leaders and volunteers faced allegations of sexual misconduct, involving several hundred victims. These and subsequent reports have noted cases of offenders returning to the ministry and even victims being blamed.

These revelations galvanized efforts to do more. At its 2019 annual meeting, the SBC said congregations could be kicked out for mismanaging abuse cases and created the Credentials Committee to review those cases.

A d

Floyd said the executive committee is now in discussions with a “highly credible outside company” to investigate its handling of the controversy.

But two Southern Baptist pastors are preparing a competing proposal for next week’s annual meeting that the next SBC president would create a task force to choose the investigator.

Denhollander said the new public recordings corroborate her own experiences defending victims of abuse within the SBC, and that she has offered to help on several occasions, but her offers were rejected.

“I hope that over the past two weeks the Southern Baptist messengers (voting representatives) have started asking some very important questions,” she said. … because they had done it in the past.

Denhollander said there will be two resolutions on abuse at the next meeting and that they are carefully worded to reflect Southern Baptist theology and politics. And she took issue with Stone’s claim that the structure of the SBC makes it difficult to take some action against sexual abuse.

A d

“It’s actually very easy to do in a way that is legally sound and respects the autonomy of Southern Baptists,” Denhollander said.

___

Smith reported from Pittsburgh

___

The Associated Press religious coverage receives support from the Lilly Endowment via The Conversation US. The AP is solely responsible for this content.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


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R-Truth sympathizes with Roman Reigns for mixing Jey with Jimmy Uso https://replicarec.com/r-truth-sympathizes-with-roman-reigns-for-mixing-jey-with-jimmy-uso/ https://replicarec.com/r-truth-sympathizes-with-roman-reigns-for-mixing-jey-with-jimmy-uso/#respond Thu, 10 Jun 2021 20:15:00 +0000 https://replicarec.com/r-truth-sympathizes-with-roman-reigns-for-mixing-jey-with-jimmy-uso/

Roman Reigns is the current WWE Universal Champion and one of the best superstars in the business right now. He has proven to be an excellent champion with excellent character work and skills in the ring.

Roman Reigns cousin Jey Uso has been his right hand man throughout his reign as tribal chief, but Jimmy Uso has not supported what Roman Reigns is doing and refuses to work for him.

In last week’s episode of Friday Night Smackdown, Roman Reigns and Jey Uso were involved in a behind-the-scenes segment. However, Roman Reigns mistakenly referred to Jey as Jimmy during the final moments of the segment and Jey Uso was not happy with it.

WWE on FOX Official Instagram handle uploaded the clip and it looks like none other than R-Truth decided to comment on the post the way only he knew how to. He said Roman Reigns had “an R-Truth moment” and sympathized with Roman Reigns.

Big Uce had an R-Truth moment 😐 we all forget sometimes🤷🏾‍♂️👀

R-Truth remains one of the funniest superstars in WWE history and his whole gimmick revolves around him being confused and mistaking things for what they aren’t. As for Roman Reigns, he will likely face Rey Mysterio at the WWE Hell In A Cell pay-per-view this month. We will have to see how the match will unfold.




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GRAMMY Camp 2021 artists and students announced | GRAMMY Museum https://replicarec.com/grammy-camp-2021-artists-and-students-announced-grammy-museum/ https://replicarec.com/grammy-camp-2021-artists-and-students-announced-grammy-museum/#respond Thu, 10 Jun 2021 18:32:00 +0000 https://replicarec.com/grammy-camp-2021-artists-and-students-announced-grammy-museum/

Today, May 21, GRAMMY Museum in Downtown Los Angeles officially reopens its doors to the public! Definitely worth a visit for music lovers of all stripes, as it offers fun and engaging content for all ages.

Visitors can now discover four exciting new exhibits: “Dave Matthews Band: inside and out“(to be seen until fall 2021),”Y Para Siempre… Marco Antonio Solís“(to be seen until spring 2022),”Motown: the sound of young America“(to be seen until winter 2021), and”This is the Nat King Cole exhibition “ (to see until fall 2021).

Plus, new GRAMMY looks are displayed and tons of interactive displays on genres, GRAMMYs and more. While the best way to experience all the GRAMMY Museum has to offer is to see it for yourself, GRAMMY.com has explored it ahead of time so you know what to expect. Read on to discover five things to see (and do!) Currently on display at the GRAMMY Museum.

Sing with the Supremes …

The impact of Motown and its founder Berry Gordy Jr. about music and culture to this day is undeniable, and is on display full and colorful on the second floor of the Museum. Among the fly outfits and other artifacts of Motown artists (including Stevie Wonderkeyboard and harmonica) over the decades, you can join Diana ross and The Supremes for their 1965 classic, “Stop! In The Name Of Love.” Don’t worry, a lyrics screen is here to help.

And dance like temptations

Another interactive experience at the “Sound of Young America” ​​exhibit teaches you Temptations walk, so you can move around in style for the rest of your life. Tap the screen to control your dance steps, in front of sublime yellow costumes worn by the legendary group.

Los Bukis Fan Club Jacket at GRAMMY Museum | Photo: Ana Monroy Yglesias

Join the Marco Antonio Solís Fan Club

The massive Marco Antonio Solis the exhibition has many, many gems and extends over the third floor, dedicated to the GRAMMY Latin Prizes and the extent of Latin music. The bilingual experience takes you through five chapters in the superstar’s life, including his roots in Michoacán, Mexico, and his time with Los Bukis (which means little children in the native language Purépecha of Michoacán!).

It’s impossible not to be stunned by his countless gold and platinum records from around the world on display or to feel the incredible number of lives he has touched with his music upon learning of his relationship with his fans. In the section dedicated to his fans, you will discover the many gifts offered to him by the faithful over the years and discover the many fan clubs dedicated to him.

You can admire the adorable Los Bukis fan club jacket and banner from Club Quiéreme from the 90s, although unfortunately you can’t take it home. In the early 2000s, before Facebook groups and Zoom calls, MAS clubs like this one held international conventions in Mexico. That love!

Walk the GRAMMYs red carpet

After leaving the warm embrace of Solís and his many admirers, you will have the opportunity to walk the red carpet and learn more about the history of the GRAMMY Awards. While serving up your best paparazzi poses, you can check out the latest GRAMMY looks on display, including three from the GRAMMY Awards 2021 Show: one of HAIMPrada periwinkle figures, Lionel richiehis long black coat and Harry StylesGucci suit in black leather and bright green boa. You will also see stunners from the 2019 GRAMMY Awards Show, Jennifer lopezblack sequined dress Michael Costello, the end Nipsey hussle‘s fly 5001 Flavors black tuxedo and velvet moccasins and Michelle obamathe eye-catching Sachin & Babi sequin costume, among other past shows.

Be soothed and inspired by Nat King Cole

On the fourth floor, you’ll get a glimpse of the late GRAMMY-winning crooner Nat King Colelife, music and the “unforgettable” legacy. It’s a rare look at her touching personal life, as very little has been exhibited in it, despite her iconic status. “This Is Nat King Cole” explores the lasting global impact of his music and the barriers he broke as a black artist and civil rights activist during American segregation.

It also offers a touching portrayal of his devotion to his wife and nine-time GRAMMY winner. Nathalie Cole, which continues its legacy of loving music. Visitors can feel the love for themselves as they read touching telegrams and letters that Cole sent to his wife while touring the world.

Hit the road with Dave Matthews Band

At the corner of Cole Street, immerse yourself in the 30 years of the beloved Dave Matthews Group, all the way back to their humble beginnings playing fellowship parties and local venues in Charlottesville, Virginia. The award-winning jam group’s exhibit at the GRAMMYs pays homage to their energetic and ever-changing concerts and the many die-hard fans who will never miss a chance to see them.

The must-see artifacts on display include songlists from their shows over the years, including one from 2007 which is also a list of all the songs they had ever played that year, their way of making sure they never play the same show twice. The exhibit also celebrates DMB fans and their love for sharing videos – which the band encourages – and setlists with other fans.

You can also watch several exclusive video interviews with the frontman Dave matthews on the beginnings of the group, their concerts, his love of The Beatles and more.

Explore the roots and intersectionality of genres

The permanent exhibition on the fourth floor alone is worth several hours of education and entertainment, with multiple interactive spaces that explore the roots and branches of genres, music hotspots and innovative musicians. A large touchscreen “board” lets you find the connections between endless subgenres, like Techno and Tejano, and hear examples of each.

Book your GRAMMY museum tickets here.

Clive Davis chats with Joni Mitchell, HER, Oprah Winfrey and more at the GRAMMY 2021 Celebration to benefit the GRAMMY Museum


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Heatwave warning urges use of insulation that keeps homes cool https://replicarec.com/heatwave-warning-urges-use-of-insulation-that-keeps-homes-cool/ https://replicarec.com/heatwave-warning-urges-use-of-insulation-that-keeps-homes-cool/#respond Thu, 10 Jun 2021 12:07:05 +0000 https://replicarec.com/heatwave-warning-urges-use-of-insulation-that-keeps-homes-cool/

A call to the government by a climate change research institute to find a way to save lives amid rising global temperatures has prompted an insulation specialist Actis to remind architects of the importance of making sure buildings stay cool in summer and warm in winter

The reminder to make sure buildings stay cool in summer follows a call from the Grantham Research Institute on Climate Change and the Environment, which is part of the London School of Economics (LSE).

Its political director, Bob Ward, said in a letter to the Prime Minister: ‘The summer heat waves are natural disasters for the UK which have killed thousands of people in recent years, and many lives could have be saved by a better heat risk management strategy. . “

A colleague expert in climatology, Julia King of UK Climate Change Committee (CCC), also said, “A very high proportion of existing homes are already overheating in a normal summer, not to mention those like the summer of 2018 where around 2,500 deaths have been caused.”

King cited a warning that year by the government’s special environmental audit committee that predicted that by 2050 the country could see three times as many heat-related deaths as there are. today.

Bob Ward and Julia King’s comments coincide with an announcement from the Met Office that temperatures have a 40% chance of reaching 1.5 degrees Celsius above pre-industrial levels over the next five years if gas emissions to greenhouse effect continue unabated.

Mitigate extreme heat with insulation

Actis says that while radical changes are needed to reduce the rise in global temperatures, one small element that could mitigate the effects of extreme heat is installing insulation that can cool a building while keeping it warm in the winter.

Actis UK and Ireland Sales Director Mark Cooper said: “In addition to helping homes stay warm in winter, reflective insulation technologies have the specific ability to thwart radiant heat transfer. . This helps reflect solar heat and keep the property at a constant low relative temperature.

“However, no form of insulation can remedy the significant effects of solar gain through windows. This must be solved by judiciously using curtains or placing the windows in strategic positions – a job for the architect.

His comments also relate to the concerns raised by Professor Paul Wilkinson of the London School of Hygiene and Tropical Medicine, who said insulation can exacerbate overeating problems.

Cooper added, “With many types of insulation this can be the case. But not with reflective products. Obviously, using insulation that can cool a building in the summer is not the answer to all of the very serious global warming problems around the world, but it is one of the many steps that can be taken to improve the climate. situation.

“Air conditioning is seen by some as a way to solve this problem. But that only increases the greenhouse gas load (and the energy bill) and puts us in a never-ending cycle of consuming more and more fuel and worsening the situation. So that’s absolutely not the answer. First we need to look at the effectiveness of the fabric.


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Hildegarde: Hildegarde Album Review | Fork https://replicarec.com/hildegarde-hildegarde-album-review-fork/ https://replicarec.com/hildegarde-hildegarde-album-review-fork/#respond Thu, 10 Jun 2021 04:00:00 +0000 https://replicarec.com/hildegarde-hildegarde-album-review-fork/

In the music of Montreal upstarts Ouri and Helena Deland, the mere idea of ​​transformation can create a thrill of excitement. On the title song of his radiant album Someone new, Deland wondered if kissing someone new or even imagine kissing someone new – might be enough to trigger a transformation in yourself. Ouri, meanwhile, has spent the last few years using ambient pop and rich, warm-blooded techno to question how experiences of emigration and falling in love reshape identity over time. Earlier this year, discussing her mobilegirl collaboration “Too Fast No Pain”, she described the exhilarating feeling of “los[ing] your identity for the better ”: Remembering her move to Montreal, she said,“ I could be anything. I destroyed my sense of myself for a while.

There is limitless potential in this kind of “what if?” Thought, and this manifests in both the music of Deland, which cuts through the static buzz of electronics and drones as well as indie folk, and that of Ouri, which draws so much inspiration from his experience as a cellist and harpist as conventions of dance music viscerally embodied. . Hildegard, the duo’s first collaborative album, develops this potential, drawing inspiration from a number of “What if”: what if we did it on the phone without ever having to touch each other? What if life alone could be as fulfilling and romantic as living with someone else? And, in the bones of the project itself: What if Hildegard Weren’t they halfway between the art of Deland and that of Ouri, but an entirely separate entity, channeling impulses different from those of their respective solo work and producing an entirely different result?

It is this last question that creates Hildegardthe most indelible moments. Like a slightly less austere twin of Jenny Hval and Håvard Volden Menneskekollektivet, released earlier this year, Hildegard feels like an opportunity for Deland and Ouri to consider the freedom that a musical union offers. Although Deland sings most often, Ouri’s voice is almost always present, and after a while their voices merge into each other; by the arrival of “Day 8”, the last track of the album, hard and precisely angry, Hildegard is her own person, calm and all-powerful as, over a hazy, electronic buzz, she delivers farewell words to a lover: “I don’t care who you dream of.” Hildegardthe eight tracks of s were recorded over eight days, and their sequencing involves a timeline, from “Day 1” to “Day 8”; you can follow Deland and Ouri’s growing connection throughout the album, with “Day 8” representing something close to pure creative symbiosis.

On “Day 3” the album’s highlight, shy and singing, Deland and Ouri play id and ego, struggling to figure out how to interact with an object of desire. As Ouri vocalizes an unbridled impulse (“I just wanted to ask you, how was your day!”, She shouts, as if to give voice to an exasperated text, before muttering “I’m waiting for you” , like another SMS sent a few hours and a few drinks later) Deland offers sweet and poetic words: “I will speak to you / In the most sensitive words / And it will sound like a purr / Show what I’m made of / Be better than making love. ” Someone new took place in tense and fractured rooms, populated by antagonistic and narcissistic men. Here Deland has the opportunity to be amorous and mischievous, the fantastical elements of this courtship allowing her to adopt another appearance for a night out.

Ouri, too, seems liberated by the opportunity to inhabit a new creative outlet: on “Day 4”, on which she sings lead, the fundamentals of her solo music – strings, her vaporous voice, unsettling sound design – appear. in surprising formations. . Where his classical training is often deployed to assist ambient experiments, the strings here play a more traditional role, bringing pathos and cinematographic splendor; in turn, his voice is immediate and prominent. Hildegard is the first project that Ouri has mixed and mastered in its entirety, and this top-down involvement shines through in the music, which is filled with unique moving parts – harp, rhythms that sound like barefoot crunching on dry sand, the squeak of a low, office chair that destroys the speakers, kicked like a block of wood, but never feels busy or fuzzy.

Although elements of Deland and Ouri’s solo practices unmistakably stand out on Hildegardas a whole it looks like a remarkably realized whole, as opposed to a certain Frankenstein of styles and ideologies. By the time “Day 8” has run its course, you wonder what the collaboration might look like if they had pushed it back to 10 or 14 days. However, as it is, Hildegard is a satisfying and invigorating document, the mark not only of instinctive collaboration, but of complete transformation.


Buy: Gross trade

(Pitchfork earns a commission on purchases made through affiliate links on our site.)

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Suspect charged with mixing alcohol, driving and shooting | The JOLT https://replicarec.com/suspect-charged-with-mixing-alcohol-driving-and-shooting-the-jolt/ https://replicarec.com/suspect-charged-with-mixing-alcohol-driving-and-shooting-the-jolt/#respond Thu, 10 Jun 2021 01:06:00 +0000 https://replicarec.com/suspect-charged-with-mixing-alcohol-driving-and-shooting-the-jolt/

By Danny Stusser

An allegedly intoxicated man admitted to firing a gun from his vehicle just before midnight last night, claiming a passing man stood in the middle of a downtown intersection and threatened his car, according to his recorded interview with the Olympia police.

From the driver’s seat of his car, he allegedly fired a shot in the direction of the passing man and fled at full speed, only to be arrested by the Olympia police four minutes later on suspicion of driving with Impaired. The events happened on Tuesday June 8 from around 11:37 p.m.

The suspect, identified as Mark K. Sura, 27, of Lacey, told the OPD he was walking down Franklin St SE to the intersection of Franklin and 7e Avenue SE, when he claimed he had stopped a red light and the homeless man crossed the road in front of him. The homeless man was stopped in the middle of the road when the light turned green.

Sura told the police he said, “Excuse me sir, could you go? At the homeless, but the homeless yelled back, “acting like a madman,” then started hitting the front bumper and hood of Sura’s white Honda Accord, according to Sura.

Sura admitted to using his brother’s .40 caliber handgun, put a bullet in the gun and said he shot in the air, but not at the homeless man. He called it a “warning shot” because “he was attacking my car”.

The weapon Sura used was in her backpack, with two cans of beer and an open can of Coors Light beer in the center console.,

Sura detonated a .199 on the Draeger. Washington’s legal blood alcohol limit is 0.08.

OPD attempted to have several contacts with the homeless, Marty Bacon, including video recordings, but Bacon was rambling unintelligible things and was very agitated after the incident.

Sylvester Park security camera footage across the park shows Sura’s white Honda Accord stopped, then either a muzzle flash from gunfire or the flashlight mounted to the front of the gun . See video, above, at: 28.

Sura then gave a different account in a second interview after the OPD said her ID did not match her description or the photo on the ID. Sura said it was “legitimate” but then admitted to being “dishonest” to OPD in the first interview. Sura told OPD that he saw Bacon yelling at “an old lady” as he passed the park and that Bacon never blocked his car at an intersection. Both recorded interviews are available under this story.

Sura was incarcerated in Thurston County Jail for impaired driving and felony assault.


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In Death and the King’s Horseman, sacred tradition and colonialism come to a head in Nigeria https://replicarec.com/in-death-and-the-kings-horseman-sacred-tradition-and-colonialism-come-to-a-head-in-nigeria/ https://replicarec.com/in-death-and-the-kings-horseman-sacred-tradition-and-colonialism-come-to-a-head-in-nigeria/#respond Wed, 09 Jun 2021 20:54:14 +0000 https://replicarec.com/in-death-and-the-kings-horseman-sacred-tradition-and-colonialism-come-to-a-head-in-nigeria/

In traditional Yoruba society, performing certain sacred rituals is believed to keep the world in order.

In his 1975 play Death and the king’s rider, Nobel laureate Wole Soyinka explores the consequences of breaking this metaphysical balance.

Set around World War II, when British colonial authorities still ruled Nigeria, the play centers on the King’s Horseman, who is about to ritually kill himself because the King has just died.

“The king is waiting to continue his journey to the ancestral land. But he needs his king’s rider to come. [with him] so they can continue the roles they had, ”said Tawiah M’Carthy, director of a new audio production of the play put on by Toronto’s Soulpepper Theater Company, in partnership with the Stratford Festival.

The story takes a look at what happens when this tradition is interrupted by the British, who view it as barbaric.

Through each of the characters in the play, Soyinka delves into the nature of tradition, duty, and the devastating effects of colonial interference.

As part of Soulpepper’s Around the world in 80 pieces series, IDEAS Host Nahlah Ayed spoke to M’Carthy about the play’s message and how it continues to resonate today.

Here is part of their conversation.

Why do you think the [British] Do you have such a strong reaction to this news that this suicide is about to take place?

I think it’s because they think they know better. It’s a bigger conversation about what they were doing on this earth anyway. And I will talk about the experience of Ghana: [were they] to do on this earth? Take resources and disrespect people and the land itself. Because for them, the people of this country have fallen lower on the totem pole. They didn’t know things. They needed to be educated and civilized.

Olunde [the horseman’s son] also highlights the fact that the British have their own deadly rituals like war. He speaks of “white races exterminating each other”. Do you see hypocrisy here?

I do. I think it is clear. And that’s also the beauty of what Soyinka was able to do with the piece, placing it in time, because it was happening in their world. [too]. Yes, I think there is hypocrisy there, and I also think there is hypocrisy in the whole notion of the domination of British culture on this land.

Tawiah Ben M’Carthy is a Toronto theater artist of Ghanaian descent. He has worked with various arts organizations across the country including Canadian Stage, Shaw Festival Theater, Stratford Festival, National Arts Center and Buddies in Bad Times. (Submitted by Tawiah M’Carthy)

The horseman and the district officer seem quite resolute. The Horseman is committed to doing his duty to the point of death, and the District Officer is committed to reforming what he considers barbaric culture. How important is the sense of “duty” in this story?

I think that’s part of the underlying themes of the play for me: duty and our roles within our communities. I think at the end of the day they’re both determined to know what they need to do to keep their community running the way it’s supposed to.

The resulting resolution is therefore that they understand the role they play within their individual spaces. And I think that’s why it’s so hard to say, “Oh, this person is a bad guy and this person is the bad guy.” I think if you are able to do it so easily then you don’t take the time to understand the complicated conversations going on in the room.

Do you think there is a sense in which the themes of this play continue to play out today?

Oh, yeah, in so many ways. I describe culture as a way of life. And when you think of the indigenous peoples of this land, when you think of black lives, when you think of immigrants, when you think of the LGBTQ2S + community, trans lives, lives with disabilities, there are so many ways that the mainstream culture is constantly interrupting other cultures. And I think it’s a reminder of that.

If you don’t have time to sit down to understand and respect, don’t interrupt. The very minute we see ourselves as more important than others, we are already starting to hurt. Because even the way we think, it changes the way we interact with these people from other cultures.

So if anything, I always thought this piece was timeless. And even speaking now, I will use Ghana as an example. We are talking about the foreign influences and resources that continue to be extracted from the land, and also the way African bodies are treated outside the continent, and it continues.

Click on HERE for a complete list of credits for audio playback Death and the king’s rider.


* Written and produced by Tayo Bero. The questions and answers have been edited for length and clarity.

Around the world in 80 pieces is an audio drama series edited by the Soulpepper Theater Company that takes listeners on a journey around the world. IDEAS will be your guide on this journey with radio documentaries exploring the cultural and historical context of these countries. Find more episodes from this series here.


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