Review: ZillaKami goes all out on “DOG BOY”

Photo courtesy of Republic Records

By Chuk Uzowihe 09/28/21 10:38 PM

Reviews: ★★★★

Best track: “Bleach”

The underground group City Morgue, made up of ZillaKami and São Paulo rapper SosMula, started to gain recognition a few years ago. They took the boldest attributes of contemporary rap and amplified them by incorporating elements of rock and metal. On “DOG BOY”, ZillaKami takes everything unique in his previous music and cranks it up to 11.



Much of this works thanks to the care taken in the production and mixing of this album. A perfect fusion of hip-hop, nu metal and grunge, nothing seems out of place. Yung Germ, a frequent collaborator of City Morgue and the producer of the majority of songs on “DOG BOY”, shows a lot of improvements himself. He leaves more room in his mixes for simple but addictive guitar loops.

Zilla’s adherence to the “fast song / slow song” format is somewhat limiting, but it results in great music nonetheless. The more aggressive tracks of “DOG BOY” are an iteration of the hard-hitting trap style for which City Morgue has always been known. “Chewing gum!” is an incredible debut album, rhythmic and energizing without being excessive.

Instead of his frequent collaborator, ZillaKami landed his biggest profile feature yet, collaborating with Lil Uzi on the lead single “BADASS”. If Eternal Atake’s most ambitious songs show anything, it’s that Uzi is willing to use his signature flow on almost anything, letting the lead artist do his own thing without having to adapt to himself. adapt to a more traditional style.

The most common theme is that of responsibility. The bizarre closing song “Space Cowboy” is the confession of someone haunted by the ghost of someone he believes he failed to save. After a string of deaths among many of hip-hop’s most popular young talents, many of whom had the same musical inspirations as Zilla, it’s easy to see why he would care what he talks about on this album. .

My favorite among the 13 tracks of “DOG BOY” is “Bleach”. On a calming melody and acoustic drums, ZillaKami tells his guts about the feelings he’s struggling in a much more direct way than anything else on this album.

It’s common for new artists to start out strong, peak early, and spend the rest of their careers never getting back into shape, whether for lack of inspiration or motivation. But if the highlights of this album mean anything to me, it’s that ZillaKami has just started, and he’s got plenty of both.

The underground group City Morgue, made up of ZillaKami and São Paulo rapper SosMula, started to gain recognition a few years ago. They took the boldest attributes of contemporary rap and amplified them by incorporating elements of rock and metal. On “DOG BOY”, ZillaKami takes everything unique in his previous music and cranks it up to 11.

Much of this works thanks to the care taken in the production and mixing of this album. A perfect fusion of hip-hop, nu metal and grunge, nothing seems out of place. Yung Germ, a frequent collaborator of City Morgue and the producer of the majority of songs on “DOG BOY”, shows a lot of improvements himself. He leaves more room in his mixes for simple but addictive guitar loops.

Zilla’s adherence to the “fast song / slow song” format is somewhat limiting, but it results in great music nonetheless. The more aggressive tracks of “DOG BOY” are an iteration of the hard-hitting trap style for which City Morgue has always been known. “Chewing gum!” is an incredible debut album, rhythmic and energizing without being excessive.

Instead of his frequent collaborator, ZillaKami landed his biggest profile feature yet, collaborating with Lil Uzi on the lead single “BADASS”. If Eternal Atake’s most ambitious songs show anything, it’s that Uzi is willing to use his signature flow on almost anything, letting the lead artist do his own thing without having to adapt to himself. adapt to a more traditional style.

The most common theme is that of responsibility. The bizarre closing song “Space Cowboy” is the confession of someone haunted by the ghost of someone he believes he failed to save. After a string of deaths among many of hip-hop’s most popular young talents, many of whom had the same musical inspirations as Zilla, it’s easy to see why he would care what he talks about on this album. .

My favorite among the 13 tracks of “DOG BOY” is “Bleach”. On a calming melody and acoustic drums, ZillaKami tells his guts about the feelings he’s struggling in a much more direct way than anything else on this album.

It’s common for new artists to start out strong, peak early, and spend the rest of their careers never getting back into shape, whether for lack of inspiration or motivation. But if the highlights of this album mean anything to me, it’s that ZillaKami has just started, and he’s got plenty of both.


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Ethel Nester

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