Sonic Craftsman and Sub Pop Recording Artist Nicholas Galanin Adds Flock Audio PATCH to His Production Toolbox

Sonic Craftsman and Sub Pop Recording Artist Nicholas Galanin Adds Flock Audio PATCH to His Production Toolbox

Sonic Craftsman and Sub Pop Recording Artist Nicholas Galanin Adds Flock Audio PATCH to His Production Toolbox

United States – Native Alaskan artist Nicholas Galanin hails from a small island community of just 8,000 people, but the impact of his multidisciplinary work has resonated around the world in premier art installations; most recently on her latest indie music release Ya Tseen for Sub Pop Records, titled Indian Yard. Using his native languages ​​Tlingit and UnangaxÌ‚ throughout his work, Galanin communicates provocative ideas about identity, active ignorance of indigenous history and how these subjects are viewed and often misunderstood across a range of visual, performance and sound supports.

As an artist, Galanin’s work is in the permanent collections of the Museum of Modern Art in New York, the Art Institute of Chicago, the Peabody Essex Museum in Massachusetts, and the Humboldt Forum in Berlin, among others. His new album on Sub Pop is mainly based on synths, with a good dose of acoustic instruments recorded intimately. Musically, it melodically engages with haunting vocals, thrilling electronic rhythms, and plenty of interesting synth buzzes and otherworldly effects. It sounds both ancient and forward-looking, casting an open invitation to discovery.

Its fully equipped studio has a huge range of sound options and has recently been mainly geared towards synths. “My early albums were heavily based on acoustic instrumentation, but this has since moved to a more synth-based sound,” says Galanin. “I design sounds with my synths, and I have a whole collection of them.” Although he uses Ableton as his main recorder, his compositions mostly feature analog synths so he can “move sounds around in different ways.” Its recent acquisition of three Flock Audio PATCH units helps it work more seamlessly and creatively than ever before.

As a leading international artist, Galanin is constantly studying and reassessing his creative toolbox; this also applies to his sound art, both for his own installations and his work with other musicians: “I am always on the lookout for sound technologies and trying to better understand the studio space than I am. building right now, ”he said. This pragmatic approach ultimately led him to PATCH from Flock Audio: “For me, just having everything accessible and interchangeable in a clean and fast way was something that PATCH introduced,” he says. “There is something that I love about the artistic potential that PATCH presents. I have three running now, so I can access everything with my fingertips on the computer. I can experiment with inputs and outputs, looping sounds and modifying them, or trying them out with different instruments, settings and effects. Once I hear something I like, I can capture it on the spot. ”Galanin says that from the acquisition of PATCH, it abandoned its old traditional patch bay.

Interestingly, he mainly uses PATCH to hook up his synths and effects, so any sound source can be accessed as he gets inspired. Some of the instruments connected directly to its three PATCH units include two Moog Music DFAMs, a Mother32, a Subharmonicon, a Spectravox as well as an Arp 2600, Prophet 10, Moog One and Moog Matriarch among many others. “I have a great collection of Moogerfooger pedals, and this is one of the reasons the Flock has been amazing for my system,” he adds. “I can drag and drop any of these Moogerfoogers into my signal chain and get a whole different effect. It’s really helpful.” Other effects and processors he has connected to his PATCH units include several drum machines, a Roland Space Echo, an Echo Fix, and a Rupert Neve Portico II Master Buss Processor.

Galanin further explains their routing setup: “Each synth has its own I / O and I can run multiple synths on the different channels and then run them directly on my interface. Using the Flock PATCH app, I can send anything to any channel on my interface, and I have eight free slots in case I want to patch vocal mics, drum mics, or whatever. “

Galanin focuses strictly on creating sound art and songs, rather than mixing or audio engineering: “I’m not a sound engineer when it comes to mixing and that sort of thing, we work with. other studios to do a lot of things. ” he explains. My space is for capturing ideas and songs. With the way it’s currently configured, I feel like I can really come up with ideas really quickly, thanks in part to the Flock Audio PATCH. “

The most recent album, Indian Yard, lasted about three years. “We started before the lockdown and I ended up spending a lot of time building my studio workspace during Covid,” he says. “My studio space and my workflow are constantly evolving, as is my understanding of what is needed in the space.” Part of Indian Yard was designed while he was in artistic residency at the Rockefeller Foundation in Italy. Once back in Alaska, he invited several artists to his studio to collaborate and capture ideas.

“PATCH has had a major positive impact on my workflow,” concludes Galanin. “Once I understood the interface and the language of it, things were so quick and fast. It’s very efficient to use and now I can spend more time exploring and working on the instead of doing other things. I’m definitely into it at this point, there’s no going back! “

For the future, Galanin has no shortage of upcoming projects: “Now that the new record is finished, we are getting ready to play it in festivals, we currently have a group of seven musicians which is mostly live instruments” , did he declare. . He says he’s also started working on several other projects, including another new studio album and an art project for the Anchorage Museum.

July 15, 2021

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